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https://w.atwiki.jp/wakktyye/pages/17.html
I accidentally saw on the platform that day that the total duration of my League of Legends game was 6447.5 hours. My first reaction was to take a breath. I have been in contact with cgame for 9 years, which is 269 days without sleep, accounting for 3% of my current life. If you are a King of Glory player, click on the personal homepage to find out your game rounds, multiply it by 20 (minutes), you can get similar data. These quantified data are chilling, for no other reason, just because the first word that flashed into my mind was "a waste of time." Then I started to blame myself, closed the interface hastily, opened the ppt and conceived the non-existent plan in front of the blank screen, completely forgetting that it was already 2 00 in the morning. Said it is a concept, but it is actually just knocking on a bunch of words that have no practical effect, as if as long as one page of A4 paper is filled, anxiety will be squeezed out. "I have to do something, I have to do something, I have to do something." https //www.newsocialcontent.com
https://w.atwiki.jp/touhoukashi/pages/4771.html
【登録タグ A-One M Rute TOHO EUROBEAT VOL.22 神霊廟 ゴーストリード 曲 死霊の夜桜】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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https://w.atwiki.jp/mainichi-matome/pages/7861.html
The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese' behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳（の疑い）を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 Nation's politicians can turn to manga for diplomatic dope国の政治家は外交的秘密情報のためにマンガを頼りにできる 参考資料 拡散状況 関連ページ Nation's politicians can turn to manga for diplomatic dope 国の政治家は外交的秘密情報のためにマンガを頼りにできる 元記事(削除済み)：http //mdn.mainichi.jp/culture/waiwai/news/20060308p2g00m0dm012000c 0 Nation's politicians can turn to manga for diplomatic dope 2006,03,08 Spa! 3/14 By Ryann Connell 国の政治家は外交的秘密情報のためにマンガを頼りにできる 2006年3月8日 SPA! 3/14 ライアン・コネル記 1 There's a rumor floating around that Foreign Minister Taro Aso -- whose frequent verbal blunders about international relations have some saying he has the gift of the gaffe -- really learned his ambassadorial skills through "Golgo 13," a semi-fictional manga devoted to Japan's relations with other countries, according to Spa! (3/14). 外務大臣麻生太郎---国際関係について彼がしょっちゅう言葉の大間違いをすることで、彼には外交上の失敗の才能がある、という人もいる---は本当に、日本と外国との関係について描かれたセミフィクション漫画「ゴルゴ13」から彼の大使としての能力を学んだ、という噂が飛んでいる。SPA!(3/14)より。 2 Of course, the vast majority of manga in Japan are fictional and intended only as entertainment. もちろん、日本の漫画のほとんど多くはフィクションであり娯楽のみを目的としている。 3 As such, the whispers that cartoons gave Aso his decidedly undiplomatic diplomatic skills -- he has been widely criticized overseas, especially in a scathing New York Times editorial that admonished the way he handles ties with other Asian countries -- have been dismissed as highly unlikely. そんなわけで、明らかに気の利かない外交スキルをマンガが麻生に与えたというささやきは、いかにもウソっぽいとしてはねつけられてしまっていた。麻生は海外から広く、とりわけ麻生による他のアジア諸国との関係づくりを強く非難した辛辣なNYタイムズの社説から、批判されていてる。 4 Nonetheless, some of Japan's top political brains say the nation's politicians could do worse than peruse manga for ideas, provided they pick the right ones. そうではあるものの、日本の政治の有識者のトップは、日本の政治家は、アイデアのために漫画を読んで良いアイデアを選んだほうがまだマシなこともある、という。 5 "Hyoden no Torakutaa (The Hyoden Tractor, but the name can also be read to mean the tractor that collects votes) tells the story of Gorin Kasai, a Diet member's secretary. Gorin's not the type that can be hated and it tells stories of what he does to get his boss votes," political commentator Harumi Arima tells Spa! "It gets into things like what secretaries have to do to snare block votes, how they keep their rivals from getting them and uses stories to explain difficult topics, like the time Gorin is trying to get the support of a women's organization and goes on a ribald hot spring trip with them." 「ヒョウデンノトラクター(*1)」は、国会議員の秘書であるカサイゴリン(*2)の物語です。五輪は憎めないやつで、自分のボスへの票を集めるために五輪はなにをしたのかという物語が語られます」と、政治評論家の有馬晴海はSPA!に語る。 「『票田のトラクター』には、ブロック投票をしてもらうために秘書は何をしなければならないかや、ブロック投票をライバルに奪われない方法などが語られて、婦人団体の支持を得るために彼女たちと一緒にみだらな温泉旅行に行った時のことなど、難しい話題を説明するために物語を使っている。 6 Arima says politicians can use manga, too, as '80s prime ministers Yasuhiro Nakasone and Noboru Takeshita did with their biographical manga, "Ya-Chan's" and "Wakaki no Chosen," respectively. Japanese Socialist Party stalwart Kiyomi Tsujimura did the same to emphasize her "proletarian" ways. 有馬はまた、政治家は漫画を利用できる、という。80年代の総理大臣・中曽根康弘と竹下登はそれぞれ伝記マンガ"Ya-Chan's"と「ワカキノチョウセン(*3)」を使った。 日本社会党員のタフな辻村清美は彼女の「プロレタリア」的なやり方を強調するために同様のことをした。 7 "It shows her being stopped at the Diet entrance because she's carrying a rucksack (instead of a briefcase), and chowing down on a 'lunchtime special' in a cafeteria while she proudly boasts, 'I'm one of the little people's politicians. I know what the people feel like,'" Arima says. 「それには辻本が(ブリーフケースではなく)リュックサックを背負っていたために国会の入り口で止められたことや、カフェテリアで『ランチタイムスペシャル』を食べながら『私は普通の人々の政治家の一人です。私は普通の人々がどんなふうに感じるかを知っています』と堂々と自慢したことが、描かれている」と有馬はいう。 8 "Jomu Kosaku Shima (Kosaku Shima - Managing Director)," which tells of the travails of a typical Japanese salaryman, is the pick for lawmakers to learn about life, according to political think-tank operator Takuro Morinaga. 典型的な日本人サラリーマンの苦労を物語る「常務島耕作(経営責任者・シマコウサク)」は、政治シンクタンク運営者の森永卓郎によると、政治家が人生について学ぶための選択肢として最良である。 9 "This manga gives an extremely good depiction of the business world's frontlines and you can read it without it feeling weird. I've been operating a think-tank all these years and think manga artist Kenshi Hirogane has come up with content at the same level as I'm used to dealing with," Morinaga tells Spa! "Take the way he deals with Japanese companies going to China to do business and how often they end up getting done over. That's what really happens. Look at the magazines and they only ever report about companies making a bundle in China. They're the lucky ones. As far as I'm concerned, Hirogane really tells it like it is." It's the same sort of gritty reality depicted in "Naniwa Kinyumichi (Osaka Finance)" that appeals to marketing analyst Ferdinand Yamaguchi. 「このマンガはビジネスの世界の最前線について極めて良く描写していて、違和感を感じずに読めます。私はこの数年間に渡ってシンクタンクを運営していますが、私が扱い慣れているものと同レベルの話の内容を、漫画家の弘兼憲史は考えついていると思います」と森永はSPA!に語る。 「ビジネスをするために中国に行く日本の企業のことを彼がどう扱っているか、そしてどのくらいの頻度で企業がひどい目にあってしまうか、を例に上げましょう。これは実際に起こることなのです。雑誌を見てください、雑誌は中国で大金を儲ける企業のことしか書きません。大金を儲ける企業は幸運な企業だけです。私の知るかぎり、広兼は本当にそのことをありのままに語っています」マーケットアナリストのフェルディナント・ヤマグチを魅了するのは、「ナニワキニュミチ(*4)(オオサカファイナンス)』」のある意味ザラリとしたリアリティーだ。 10 "Japan's financial world has its banking and brokerages, but it also has the interesting sector of consumer finance. 'Naniwa Kinyumichi' is a long-running manga that really looks into this. It shows how dangerous it can be to borrow from this shady sector, teaches people what to do with their money and is a must-read for businessmen," Yamaguchi tells Spa!, before adding that Foreign Minister Aso may not have been too far wrong if he did take the odd glance at "Golgo 13". "It's recently taken up the issue of Official Development Assistance and tells in manga form how nearly all the money Japan spends on ODA ends up coming back into Japan. It's been running continuously since 1969, which was smack-bang in the middle of the Cold War. It'd be a great read to start from recent issues and go back. And you'd learn a hell of a lot." (By Ryann Connell) March 8, 2006 「日本の金融界には銀行業務や仲買業務がありますが、消費者金融という興味深い部門もあります。『ナニワキニュミチ』は消費者金融を実によく考察した長期連載マンガです。このマンガは、いかがわしい消費者金融から金を借りるとどんな危険が起こりうるのか示し、自分の金をどうしたら良いのか教え、そしてビジネスマンにとっての必読本です」とヤマグチはSPA!に語り、そしてこう付け加える。麻生外相が『ゴルゴ13』を妙な読み方をしたのなら、彼はそんなに間違えすぎているわけではない、と。 「『ゴルゴ13』は最近、政府開発援助の話題を取り上げ、漫画の形でいかにして日本がODAに使った金のほとんど全部が日本に戻ってくることになるのかを、教えてくれます。『ゴルゴ13』は1969年から継続的に連載中で、1969年は冷戦の最中の不穏な時期でした。最近の号から始めて最初へと後戻りしていけば、すごい読み物になります。そしてあなたはとんでもなく多くのことを知ることになるでしょう。 (ライアン・コネル記) 2006年5月8日 参考資料 麻生太郎 http //ja.wikipedia.org/wiki/%E9%BA%BB%E7%94%9F%E5%A4%AA%E9%83%8E ゴルゴ13 http //ja.wikipedia.org/wiki/%E3%82%B4%E3%83%AB%E3%82%B413 NYタイムズ http //ja.wikipedia.org/wiki/NY%E3%82%BF%E3%82%A4%E3%83%A0%E3%82%BA 票田のトラクター http //ja.wikipedia.org/wiki/%E7%A5%A8%E7%94%B0%E3%81%AE%E3%83%88%E3%83%A9%E3%82%AF%E3%82%BF%E3%83%BC 有馬晴海 http //ja.wikipedia.org/wiki/%E6%9C%89%E9%A6%AC%E6%99%B4%E6%B5%B7 中曽根康弘 http //ja.wikipedia.org/wiki/%E4%B8%AD%E6%9B%BD%E6%A0%B9%E5%BA%B7%E5%BC%98 竹下登 http //ja.wikipedia.org/wiki/%E7%AB%B9%E4%B8%8B%E7%99%BB 辻村清美(辻元清美) http //ja.wikipedia.org/wiki/%E8%BE%BB%E5%85%83%E6%B8%85%E7%BE%8E 常務島耕作(課長島耕作) http //ja.wikipedia.org/wiki/%E5%B3%B6%E8%80%95%E4%BD%9C 森永卓郎 http //ja.wikipedia.org/wiki/%E6%A3%AE%E6%B0%B8%E5%8D%93%E9%83%8E ナニワ金融道 http //ja.wikipedia.org/wiki/%E3%83%8A%E3%83%8B%E3%83%AF%E9%87%91%E8%9E%8D%E9%81%93 拡散状況 Blogger http //thechurchmilitant.blogspot.com/2006/03/japanese-manga-its-not-just-for.html 英語サイト 部分転載：http //newsgroups.derkeiler.com/Archive/Rec/rec.arts.manga/2006-03/msg00010.html 関連ページ Blogger WaiWaiの記事を転載した英語サイト：N 毎日新聞英語版から配信された記事2006年 毎日新聞英語版から配信された記事一覧
https://w.atwiki.jp/elvis/pages/1544.html
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Hans Urs von Balthasar? Outlines of Cosmic Philosophy Based on the Doctrine of Evolution, With Criticisms on the Positive Philosophy John Fiske?Josiah Roye? Outlines of Cosmic Philosophy Based on the Doctrine of Evolution, With Criticisms on the Positive Philosophy John Fiske?Josiah Royce? Outlines of Cosmic Philosophy John Fiske? Outlines of Cosmic Philosophy Based on the Doctrine of Evolution, With Criticisms on the Positive Philosophy John Fiske?Josiah Royce? The New Evidence, Cosmic Top Secret America's Secret Ufo Program William F. Hamilton? Traditional Forms and Cosmic Cycles (Guenon, Rene. Works.) Rene Guenon?Samuel D. Fohr?Henry D. Fohr? Traditional Forms and Cosmic Cycles (Guenon, Rene. Works.) Rene Guenon? The Drama of Cosmic Enlightenment Parables, Myths, and Symbols of the White Lotus Sutra Bhikshu Sangharakshita? Cosmic Eye A Traveller's Guide to Inner Space Peter Lemesurier? Cosmic Crystal Spiral Crystals and the Evolution of Human Consciousness Ra Bonewitz? 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Cosmic Man The Theology of St. Gregory of Nyssa/Ca 330 to 395 A.D. Paulos Mar Gregorios? Cosmic Forces of Mu (Cosmic Forces of Mu) James Churchward? Cosmic Forces of Mu (Cosmic Forces of Mu) James Churchward? The Christ Within the Disciples of Christ With the Cosmic Christ Calendar John-Roger? Cosmic Unfoldment The Individualizing Process As Mirrored in the Life of Jesus D. Pike? Astrology A Cosmic Science Isabel M. Hickey? Practicing the Cosmic Science Key Insights in Modern Astrology Stephen Arroyo? Cosmic Consciousness One Man's Search for God Mark L. Prophet?Elizabeth Clare Prophet? Cosmic Combinations Joan Negus? Cosmic Consciousness The Highway to Wholeness Gloria R. Rivers?Owen Cramer? Sulphur Mountain Cosmic Ray Intensity Records D. Venkatesan?T. Mathews? Predict Your Future Understand The Cycles Of The Cosmic Clock (Climb the Highest Mountain) Elizabeth Clare Prophet? Cosmic Retribution The Infernal Art of Joe Coleman Joe Coleman? 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Brand New Me The Art of Authentic Living Herman J. Aaftink? Searching for Home A Personal Journey of Transformation and Healing After a Near-Death Experience Laurelynn G. Martin? Jesus and the Message of Love Ronald D. Pasquariello? One Day on Earth A Third Eye View Catherine Lazers Bauer? The Cosmic Pulse of Life The Revolutionary Biological Power Behind Ufos Trevor J. Constable? The New Cosmology Demise of Big Bang Cosmology-The Nature of Gravitation-Evolution and Reincarnation-Cosmic Purpose and Destiny Harold W. G. Allen? E.T. 101 The Cosmic Instruction Manual Diana Luppi? Black Holes and Tepee Rings On Cosmic Mysteries and Spiritual Mythology Robert M. Watkins? Cosmic Test Tube Extraterrestrial Contact, Theories Evidence Randall Fitzgerald? The European Gourmet The Grand Dining Tour of Europe Richard E. Burke?Douglas E. Easton? The Cosmic Family Codependence The dance of wounded souls a cosmic perspective of codependence and the human condition Robert Burney? Fat Tire Tales Trails Arizona Mountain Bike Trail Guide Cosmic Ray? Fat Tire Tales Trails Arizona Mountain Bike Trail Guide Cosmic Ray? By Cosmic Design John P. Cock? Confessions of an Intergalactic Anthropologist Marcia Schafer?Neal Berg?Word Source? Cosmic Whispers Lorin C. Saunders? How to Keep Your Man W. Shaffer Fox? 750 Ways to Annoy People W. Shaffer Fox? Junk Food For Your Inner Child Steve Cosmic? Herman Melville Between Charlemagne And the Antemosaic Cosmic Man Race, Class And the Crisis of Bourgeois Ideology in an American Renaissance Writer Loren Goldner? Universal Vision Soul Evolution and the Cosmic Plan Scott Mandelker? The Way of the Cosmic Fist A Beginners Guide into the Art of Tai-Ch'Uan-Tao John J. Gabriel?Rod L. Griffin? The Crystal Universe A Glimpse of the Cosmic Wisdom Ulla Runchel?Birthe Rosenquist? The Cosmic Spiderweb How to Capture Any Customer Through Event Marketing (Y) Louis M. Bitonti? Avoiding The Cosmic 2x4 Rita, Ph.D. Louise? Cosmic Dust Richard White? The Cosmic Puppets Philip K. Dick? Towards a Cosmic Music Karlheinz Stockhausen? Cosmic Consciousness Revisited The Modern Origins and Development of a Western Spiritual Psychology Robert M. May The Astrophysics of Galactic Cosmic Rays Proceedings from Two Issi Workshops 18-22 October 1999 and 15-19 May 2000 Bern, Switzerland (Space Science Series of Issi, 13) Switzerland) Issi Workshop (1999 Oct. 18-22 Bern?Roland Diehl?Switzerland) Issi Workshop (2000 Bern?Etienne Parizot?Reinald Kallenbach?Rudolf Von Steiger? Cosmic Radiations From Astronomy to Particle Physics (Nato Science Series II Mathematics, Physics and Chemistry) Giorgio Giacomelli?Maurizio Spurio?Jamal Eddine Derkaoui? Cosmic Chemical Evolution Proceedings of the 187th Symposium of the International Astronomical Union Held in Kyoto Japan August 26-30 1997 (International Astronomical Union Symposia) Japan) International Astronomical Union Symposium 1997 (Kyoto?K. W. Truran? Cosmic Chemical Evolution Proceedings of the 187th Symposium of the International Astronomical Union Held in Kyoto Japan August 26-30 1997 (International Astronomical Union Symposia) K. Nomoto? Optics of Cosmic Dust (Nato Science Series II Mathematics, Physics and Chemistry) Gorden Videen?Miroslav Kocifaj? Optics of Cosmic Dust (NATO Science Series II Mathematics, Physics Chemistry) Gorden Videen?Miroslav Kocifaj? Radiation Hazard in Space (Astrophysics and Space Science Library) Leonty I. Miroshnichenko? The Early Universe and the Cosmic Microwave Background Theory and Observations (Nato Science Series II Mathematics, Physics and Chemistry) Norma G. Sanchez?Yuri N. Parijskij?Italy) NATO Advanced Study Institute on the Early Universe and the Cosmic Microwave Background Theory and Observations (2002 Palermo? The Early Universe and the Cosmic Microwave Background Theory and Observations (Nato Science Series 11 Mathematics, Physics and Chemistry) Norma G. Sanchez? 3k, Sn's, Clusters, Hunting The Cosmological Parameters With Precision Cosmology A JENAM 2002 Workshop Porto, Portugal 3-5 September 2002 (Cell Engineering) Domingos Barbosa?Antonio Da Silva?JOINT EUROPEAN AND NATIONAL ASTRONOMICAL?Ana M. Mourao? Mars' Magnetism, And Its Interaction With The Solar Wind An Integration Of Mars Global Surveyor And Phobos Mission Data (Space Sciences Series of Issi) Daniel Winterhalter?M. H. Acuna?Alexander Zakharov? Cosmic Rays In The Earth's Atmosphere and Underground (Astrophysics and Space Science Library) L. I. Dorman? Magnetic Fields And Star Formation Theory Versus Observations Ana I. Gomez De Castro?M. Heyer?E. Vazquez-Semadeni?R. Rebolo? Cosmic Gamma-ray Sources (Astrophysics and Space Science Library) K. S. Cheng?Gustavo E. Romero? Penetrating Bars Through Masks Of Cosmic Dust (Astrophysics and Space Science Library) David L. Block?IvGnio Puerari?Robert Groess?Kenneth C. Freeman? Cosmic Ray Interactions, Propagation, And Acceleration in Space Plasmas (Astrophysics and Space Science Library) Lev I. Borman? Armageddon The Cosmic Battle of the Ages (Left Behind (Recorded Books Audio)) Tim LaHaye?Jerry B. Jenkins? The Crystal City A Cosmic Adventure Bjorn Ortenheim? Flowing With Universal Laws Cosmic Laws, Universal Laws, Subsidiary Laws Margo, Ph.D. Kirtikar? Flowing With Universal Laws Cosmic Laws, Universal Laws, Subsidiary Laws Margo, Ph.D. Kirtikar? The Spirit's Fire and Speech Experiencing the Spirit of Prophecy and the Divine, Cosmic Drama of the End Time Kurt Volbeda? University Physics with Modern Physics with Mastering Physics Hugh D. Young?Jeffrey Bennett? Cosmic Consciousness The Man-god Whom We Await Ali Nomad? Cosmology Revealed Living Inside the Cosmic Egg (Springer-Praxis Series in Astronomy and Space Sciences.) Anthony Fairall? Earth's Changing Climate The Cosmic Connection Anthony Milne? Mates, Dates and Cosmic Kisses Cathy Hopkins? Mates, Dates and Cosmic Kisses (Mates Dates) Cathy Hopkins? The Rivers of Mars Searching for the Cosmic Origins of Life Piers Bizony? The Exploration of Mars Searching for the Cosmic Origins of Life Piers Bizony? Human and Cosmic Thought Rudolf Steiner?Charles Davy?Gabriele Gernhard Eichenauer? Josh Kirby a Cosmic Cornucopia Tom Holt?David Langford? Cosmic Dance Julie Soskin? The Cosmic Circle Jesus And Ecology Edward P. Echlin? Cosmic Connections Worldwide Crop Formations and Et Contacts (Cosmic Connection) Michael Hesemann? Cosmic Connections Bridget Pluis? Beyond Einstein The Cosmic Quest for the Theory of the Universe (Bantam New Age Books) Michio Kaku?Jennifer Trainer?Jennifer Trainer Thompson? Cosmic Coincidences Dark Matter, Mankind, and Anthropic Cosmology John Gribbin?Martin Rees? The Mind's Sky Human Intelligence in a Cosmic Context Timothy Ferris? Radical Martyrdom And Cosmic Conflict in Early Christianity (Library of New Testament Studies) Paul Middleton? Saving God's Reputation The Theological Function of Pistis Iesou in the Cosmic Narratives of Revelation (Library of New Testament Studies) Sigve K Tonstad? Cosmic Kaleidoscope Bob Shaw? The Cosmic Serpent Jeremy Narby? The Cosmic Puppets (Gollancz SF) Philip K. Dick? The Cosmic Puppets (Panther Books) Philip K. Dick? Cosmic Clocks M. Gauquelin? Cosmic Boy Versus Mezmo Head! (The Weird Zone , No 7) Tony Abbott?Broeck Steadman?Lori Savastano? Cosmic Dawn The Origins of Matter and Life Eric Chaisson? The Life Era Cosmic Selection and Conscious Evolution Eric Chaisson? Riders of the Cosmic Circuit Tal Brooke? Astral Man to Cosmic Christ A Metaphysical Odyssey Lewis Keizer?Eugene Whitworth? Cosmic Surgery and Fractured Visions George Carpetto? I Am the Beloved Cosmic Wisdom from the Spiritual Source of Rev Joy Dial Joy Dial? Yestales An Unauthorized Biography of Rock's Most Cosmic Band, in Limerick Form Scott Robinson? Cosmic Reawakening (N) Artimia Arian? 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Caputo? Cosmic Whizz Kid (Red Storybook) Karen King?Derek Brazell?
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ATTO SECONDO (Ricchissimo padiglione di Maometto nel quale si veggono riuniti tutti gli oggetti del lusso orientale) Scena Prima (Anna è seduta su di un divano, nel massimo dolore e coprendosi con le mani il volto. Una schiera di donzelle musulmane magnificamente abbigliate la circondano, divise in vari gruppi. Alcune sono inginocchiate dinanzi a lei, offrendole ricchi doni di ogni sorta, altre più indietro sostengono de vasi di profumi, altre finalmente canteranno il seguente coro) LE DONZELLE MUSULMANE È follia sul fior degli anni chiuder l alma a molli affetti, e penar fra tanti affanni d una rigida virtù. Finché april arride in viso sol d amor sien caldi i petti, chè l amar fra gioia e riso è una dolce servitù. Quando poi sia bianco il crine cangerem, cangiando aspetto posto il cielo ha quel confine fra l diletto e la virtù. ANNA (Sorgendo sdegnata.) Tacete. Ahimè! quai detti iniqui ascolto! (Aggirandosi sbigottita.) Anna infelice! ahi dove, ove gli empi m han tratta? ove! Involarmi a forza io vuo da questo infame albergo. Libero il varco, olà… Scena Seconda MAOMETTO (Entrando) T arresta, e ascolta… (Ad un cenno di Maometto si ritirano tutte le donzelle.) Donna, fra l armi il mio parlar sia breve. Uberto amasti ed or cangiato il vedi in Maometto, nel crudel nemico di Venezia e de tuoi. Fiero contrasto quindi in te sorge fra discordi affetti. Nè in ciò ti biasmo, anzi laudarti io voglio. Or di cangiar consiglio il tempo è giunto. Io t amo ancor t offro la destra, e il soglio. Farti regina, e insiem felice io voglio. Sì, d Italia regina tu meco sederai, che un tanto acquisto già nella mente, e non indarno, io volgo. Germano e genitor teco felici vivran pur essi e al fianco mio possenti. Or tu del tuo, del mio destin decidi. Pensa però che sei già mia conquista, e ch io non trovo ancor chi a me resista. ANNA Oggi il ritrovi alfin quella son io. Amava Uberto, un mentitor detesto. Ricuso il soglio, la tua destra abborro. Teco felice! Io? Regina teco? Della patria a danno? Ad onta eterna del padre e mia? Ma a consacrar tal nodo quel Nume invocherai, se siam nemici anco appiè degli altari? (Alquanto commossa.) A separarci l universo insorge. (Prorompe in pianto.) MAOMETTO E Maometto adunque dell universo a trionfar già sorge. Anna, tu piangi? Il pianto pur non è d odio un segno, non di superbo sdegno, ma di pena, o d amor. ANNA (Con l accento della disperazione.) Sì, non t inganni! Ah, tanto la pena mia s addoppia, che in petto or or mi scoppia pel fiero strazio il cor. (Poi, vaneggiando.) Lieta, innocente, un giorno del padre accanto io vissi, ma poi mi venne intorno forse da cupi abissi, in lusinghiero aspetto, un più tenero affetto. L accolsi, incauta, al seno Ahi, contra il voler paterno. Era feral veleno, che a me porgea l inferno. Solo or morir mi resta… la mia speranza è questa, altro sperar non so. MAOMETTO (Fra sè, osservandola.) A vaneggiar la misera dal suo dolore è spinta. E da suoi mesti gemiti la mia fierezza è vinta. Quel pianto ignoro io solo se è duolo o infedeltà. Non so. (Ad Anna) Anna, rispondi almeno se Uberto avessi accanto, lo stringeresti al seno? ANNA Per me risponde il pianto. MAOMETTO Basta. ANNA Che dissi! MAOMETTO Assai. Tu m ami e mia sarai. ANNA Signor, t inganni. (fra sè) Io gelo. MAOMETTO Vieni. (Vuole stringerla fra le braccia.) ANNA Ti scosta… (fra sè) Oh cielo! Non tanta crudeltà. (a Maometto) Gli estremi sensi ascolta d un lacerato cor. Amo, ma pria sepolta che cedere all amor. Trionfan questa volta il cielo e il genitor. La voce estrema è questa d un lacerato cor. MAOMETTO Gli accenti estremi ascolta d un disperato amor tu non sarai più tolta del mondo al vincitor; o pur cadrai tu, o stolta, vittima al mio furor. La voce estrema è questa d un disperato amor. (Al finir del duetto la musica indicherà un lontano e crescente tumulto.) MAOMETTO Ma qual tumulto ascolto? Olà! Che avvenne? (Entrano alcune guardie con Selimo.) SELIMO Signor, non liete nuove io reco. MAOMETTO Oh rabbia! Parla; che fu? SELIMO Dalla rocca respinto Acmet si vide, e in fuga vil rivolta la sua falange. Un veneto drappello s inoltra audace, e all apparir suo primo, al primo grido, da ben cento ignoti asili balzan fuori, rotando il ferro con disperato ardir, gli ascosi avanzi de già vinti nemici. E lor compagni raggiungono veloci, ed alla rocca si traggon salvi; lungo stuol de nostri lasciando sul sentier morti, o mal vivi. Al triste evento con feroci strida corre all armi l esercito, e si sparge per le vie furibondo; ed ogni ostello esplorano col ferro… ANNA (fra sè) Ahi padre! SELIMO Indarno si frappongono i duci ampia è la strage, il disordine estremo; ognun dimanda d Erisso il sangue, quasi autor primiero dell improvviso assalto, e ingiurie acerbe scaglian pur contra te per la tua troppa ed incauta pietà… ANNA (Prostrandosi a Maometto.) Signor! MAOMETTO T accheta. (Snuda furiosamente il ferro.) Schiudansi quelle tende. (Il fondo del padiglione si apre, e si scopre la piazza della città, già veduta nel primo atto, ingombra di soldati che si aggirano in disordine con le spade ignude.) Fermate, indegni. (Avanzandosi fra soldati, i quali alla sua voce rimangono immobili e sbigottiti.) Se desio di sangue anco in voi ferve, negl inermi petti ad appagarlo qual viltà vi tragge? Dalla rocca fuggiste e qui pugnate? Il mondo conquistar così sperate? Alla rocca si torna, ed io primiero indicarne saprò l arduo sentiero. All armi! I SOLDATI MUSULMANI (Di fuori.) All armi! I SOLDATI MUSULMANI (Di dentro.) All armi! (Si ascolta da diversi luoghi un crescente battere di tamburi che chiama i soldati, i quali si schierano in fretta.) MAOMETTO E tu donna, fa cor. Finché m avanza di possederti ancor l alta speranza, il padre tuo securo ognor vivrà, lo giuro. ANNA Tu parti, ahi lassa! intanto. E mal represso ancor mi sembra il soldatesco sdegno. Lasciami almen di securtade un pegno. MAOMETTO Bastò finora a Maometto un cenno… Pur farti paga io voglio. L imperial suggello, ecco, t affido. Del mio poter con questo ad altri io soglio commetter parte; e non indarno mai. Arbitra or tu del genitor sarai e del fratel pur anco; e obbedienti guerrieri e duci ad ogni cenno avrai. D amor l ultima prova, Anna, il vedi, io ti porgo. Trema però se al rieder mio non cangi il disperato tuo consiglio… trema… Non io più allor, ma parlerebbe il brando. (Entrano nel padiglione i duci musulmani, ed annunciano a Maometto che l esercito è in ordine.) I DUCI MUSULMANI A che più tardi ancor? Frementi, impazienti le schiere or solo attendono il cenno tuo, signor. MAOMETTO All invito generoso riconosco i miei guerrieri che si sdegnan del riposo e lo chiamano viltà. Dunque il piè volgiamo al campo della gloria su sentieri. Delle nostre spade il lampo la vittoria desterà. Dell onta l impronta fugace nel veneto sangue impavido, audace, appien laverò! O esangue sul brando, sfidando la morte, da forte cadrò. (Incomincia il suono delle musiche militari e l esercito s incammina.) MAOMETTO (Al guerriero che tiene lo stendardo.) L invitto vessillo mi porgi, guerrier. Slanciarmi fra l armi io primo saprò. (L esercito prosiegue a sfilare fra canti guerrieri e lo strepito delle musiche militari.) I SOLDATI MUSULMANI Dell araba tromba già intorno rimbomba lo squillo foriero di stragi e d orror. ANNA (fra sè) Qual voce celeste al cor mi ragiona? Qual foco m investe e a compier mi sprona bell opra d onor? (Parte sollecitamente.) Scena Terza (Ampio sotterraneo del tempio, tutto sparso di sepolcri, fra quali sarà notabile a dritta dello spettatore quello della moglie di Paolo Erisso. Erisso e Calbo. All alzarsi della tela Erisso e Calbo si scorgeranno sugli ultimi gradini della scala, e s inoltrano lentamente) ERISSO Seguimi, o Calbo. Fra muti sepolcri de barbari al furor per poco almeno involarci potrem. Non ch io paventi quella morte, che sfido. Ma finchè speme di vendetta avanza amar lice la vita ed io la serbo, la serbo ancor questa speranza estrema. Gli avidi sguardi a quella rocca io sempre volgo e sospiro. Oh se potessi in quella volar sull ali de pietosi venti, e rivestir l usbergo, e a questa mano, render quel brando, che le tolse il fato! Tu taci? CALBO Io taccio, e fremo. ERISSO (Si volge, e vede la tomba dell estinta consorte.) Ahimè! qual tomba io veggo! Della mia sposa il cenere s asconde in quella, o Calbo. Ahi, duol! (S inginocchia innanzi la tomba.) Tenera sposa! In ciel riposi or tu. Così seguìto pur io t avessi! D una iniqua figlia or non vedrei gli scelerati ardori. CALBO Lasso! che dici! E di qual colpa è rea la misera tua figlia? Uberto amar credea; nè fu mai colpa l esser credulo troppo. ERISSO Ed or non siede di Maometto al fianco? CALBO Tratta a forza vi fu. La vidi io stesso divincolarsi da feroci sgherri per ben tre fiate; e vinta alfin, le palme ergere al cielo quasi fuor di senno; e mille volte profferìa tuo nome; e pur da lunge ripeteami… addio! ERISSO Vedesti? Udisti? Ma chi sa se poi non cangiò di consiglio all aspetto d un trono e del periglio? (Rimane in sommo abbattimento assiso sulla tomba della sposa sua.) CALBO Non temer d un basso affetto non fu mai quel cor capace. Nè saprebbe la sua pace mai comprar con la viltà. Del periglio al fiero aspetto ella intrepida già parmi impugnar lo scudo e l armi d una bella fedeltà. E d un trono alla speranza dir, con placida sembianza basso affetto nel mio petto nido aver non mai potrà. ERISSO Oh, come al cor soavi mi giungono i tuoi detti! Voglia propizio il ciel che sien veraci. Oh figlia! ahi dolce figlia! E a me per sempre i barbari t han tolta? CALBO Ah! ti conforta. ERISSO Confortarmi potrò quando sia morta. Scena Quarta (Anna discende precipitosamente nel sotterraneo, seguita da un servo che reca due turbanti e due mantelli turchi.) ANNA Padre… ERISSO Qual voce! CALBO Chi vegg io! ANNA (Correndo al padre.) M abbraccia. ERISSO Scostati. ANNA Ahimè! ERISSO Tu sei? sogno o son desto! ANNA Mi discacci! E perché? ERISSO Pria che risponda, dimmi, torni mia figlia o mia nemica? ANNA Questa impavida fronte a te lo dica. ERISSO Di quella tomba appiè dunque lo giura. ANNA (Prostrandosi alla tomba.) Madre, dal cielo in questo cor tu leggi. ERISSO (Intenerito corre ad abbracciar la figlia.) Crederti voglio. ANNA E il ver tu credi, o padre, e a darne prova alta solenne io vengo. Questo mirate imperial suggello che or or mi porse Maometto, ond io schermo a voi ne facessi, ov uopo il chiegga. E ben già vidi quanto in essa è posta quasi arcana possanza. Egli la rocca si volse intanto ad assalir, traendo oste immensa a tal pugna. Or se v accende desio d onor… tenete. (Offre l anello al padre.) Al fuggir vostro non fia chi opporsi ardisca. ERISSO Intendo oh figlia! Oh immensa gioia! Porgi. (Prende l anello.) ANNA Un dio m ispira, e maggior di me stessa oggi m ha fatta. CALBO E tu a perir qui resti? Oh duol! ANNA Costanza, o Calbo. Il suo dover compia ciascuno. CALBO Seguirci è forza. ANNA Ahimè! nol posso. CALBO E come? ANNA Avvi lassù nel tempio alcun che veglia su miei passi severo. Ignoto è ad esso che ambi qui siate; e in quelle spoglie ascosi ingannarlo fia lieve. Ma noto il mio sembiante. Oh ciel! già troppo a musulmani è fatto. La patria io servo con salvar due prodi; se me salvar procuro, io la tradisco. Morir m è forza ed io morrò… (A Calbo) Ma tua. CALBO Che parli? ANNA Odimi, o padre A lui consorte or dianzi me destinavi, e, lassa! la prima volta il voler tuo m increbbe. Or chieggo, e prego, e imploro che il tuo desìo pria di partir tu compia. Ara non v ha, nè sacerdote in questo muto albergo di morte; ma sacro è un genitor d innanzi al cielo. Ara pe figli è la materna tomba e i decreti d un padre Iddio conferma. Vieni, non più dimora. degna almen di te morir vogl io. (Spingendolo dolcemente verso la tomba.) ERISSO (fra sè) Parlar non posso, che m affoga il pianto. ANNA Calbo, ti stringi al genitor d accanto. (Erisso immerso nel pianto, nè potendo profferir parola per la commozione, stringe insieme le destre di Anna e di Calbo, poi le accosta al suo cuore, appoggiandosi sulla tomba ed ergendo gli sguardi al cielo. Durante questa breve azione, la musica darà principio al ritornello del seguente.) ANNA, CALBO, ERISSO In questi estremi istanti è tanto acerbo e nuovo l affanno, il duol ch io provo, ch esprimerlo non so. ANNA (Facendo cenno che partano al padre ed allo sposo.) Coraggio. ERISSO Io tremo. CALBO (fra sè) Io gelo. (Al nuovo invito di Anna s incamminano. Anna è sulla scena. Calbo ed Erisso ascendono la scala.) ERISSO Ahi figlia! CALBO Oh sposa! ANNA A rivederci… in cielo. Scena Quinta (Anna, costernata e taciturna, va a sedere sulla tomba materna. Breve silenzio.) ANNA Alfin compita è una metà dell opra. L altra a compir mi resta. un sacrificio è questo, e la vittima io son. L ultimo sfogo t abbi or nel pianto, o debole natura. Ora verrà, che sia viltade il pianto. Ecco del mondo che mi resta! Un muto, un gelido sepolcro… e oh me felice se chiusa in questo con la madre io fossi! O patria mia, forse avverrà che un giorno quanto io feci per te saprai tu alfine, e il mio cenere allor, dovunque ei giaccia, spontaneo esulterà di esserti sacro. (Sorge e spinge alcuni passi per la scena) Or da me lungi ogni terreno affetto! O morte, il giunger tuo tranquillo aspetto. (Ascoltasi ad un tratto su nel tempio il seguente.) LE DONNE Nume, cui l sole è trono, nume, cui brando è il tuono, a noi rivolgi il ciglio nell ultimo periglio. ANNA Pregan nel tempio le mie dolci amiche. LE DONNE Il fulmine, deh! accendi; i figli tuoi difendi. Rivolgi ad essi il ciglio nell ultimo periglio. ANNA Ferve dunque la pugna. Ah! vinca il padre, e lieta allor raggiungerotti, o madre. Volar nel tempio io pur… No, qui s attenda l ultima ora tremenda. Mi sento assai più forte qui fra le tombe ad incontrar la morte. LE DONNE Nume, cui l sole è trono nume, cui brando è il tuono, il fulmine, deh! accendi i figli tuoi difendi. Rivolgi ad essi il ciglio nell ultimo periglio, e un soffio struggitor disperda il vincitor. ANNA Taccion le preci omai. Chi sa che avvenne? Chi sa se vinse il genitor? Che parlo, stolta! Chi sa s ei prima in salvo col mio sposo non giunse? Ahi penosa incertezza, i miei tormenti tu sol mancavi a render più possenti! LE DONNE (Dal tempio) Anna, ove sei? ANNA Quai grida? LE DONNE Anna, rispondi. ANNA Chieggon di me! Che sia? (Alcune del coro appariscono sull alto della scala.) LE DONNE Dove t ascondi? (Il coro delle donne discende nel sotterraneo.) Sventurata! fuggir sol ti resta il furor di vicina tempesta. Già sul punto di vincer la giostra sulla rocca Maometto si slancia. Ecco Erisso improvviso si mostra; ecco splende di Calbo la lancia. Odi un grido di gioia fra vinti; cadon mille de barbari estinti, e al fuggir del superbo signor, tutto è strage, sconfitta ed orror. Sventurata! fuggir sol ti resta il furor di vicina tempesta. Ognun chiede, fremendo, tua morte. A supplizio crudel ti destina, chè per te sol cangiata è la sorte, per te avvenne cotanta rovina. Or deh! cedi al pietoso consiglio Deh! ci siegui, t invola al periglio. In noi fida; la nostra pietà coronata dal cielo sarà. ANNA Vinto i Veneti han dunque? Trionfa il genitor? lo sposo? Oh gioia! E ch io fugga chiedete? Io che la prima gloria ho di tanta vittoria? Fuggir? Ma dove? E per salvar me sola espor voi tutte all ultimo periglio? A codardi serbate un tal consiglio. Quella morte che s avanza io sospiro e non pavento, chè l uscire di speranza è il più barbaro tormento, e dell unica mia speme non mi resta che il rossor, onde in queste angosce estreme la mia vita è nel dolor. Il dover compiuto omai ho di figlia e cittadina; la mia fronte, o ciel, piegai alla voce tua divina; ma l iniquo e dolce affetto non è spento nel mio cor. Nella morte il fine aspetto degli affanni e dell amor. LE DONNE Sarai dunque, ahimè! reciso, vago fior di gioventù? Vago fior che il Paradiso adornò di sue virtù. Quai strida orribili! Le ascolti o misera? Già qui s appressano furenti i barbari. I SOLDATI MUSULMANI (Di fuori.) Invan la perfida invano ascondessi. Sia pur nell Erebo la nostra rabbia, il suo supplizio schivar non può. ANNA Ed io non pavida gli affronterò. I SOLDATI MUSULMANI (Che discendono nel sotterraneo.) Ecco la perfida. Su via, trascinasi fra mille strazi a spirar l anima. (Si slanciano furibondi colle spade ignude per trucidarla.) ANNA Ferite. (Presentando ad essi il petto.) LE DONNE Ahimè! I SOLDATI MUSULMANI (Si arrestano quasi sbigottiti dal di lei contegno.) Qual forza incognita ci arresta il piè? E pur quest empia diva non è. ANNA Sì, ferite il chieggo, il merto; quelle spade in me volgete, chè di gloria i più bel serto già m appresta amico il ciel. Madre, a te che sull Empiro siedi in placida quiete, sacro è l ultimo sospiro di quest anima fedel. LE DONNE (fra sè) A que detti sì pietosi chi frenar potrebbe il pianto? Sia d Italia eterno il vanto per si bella fedeltà. I SOLDATI MUSULMANI (fra sè) A que detti generosi lo stupor c ingombra il petto. Su que labbri, in quell aspetto qual dolcezza e maestà! Scena Sesta (Maometto, seguìto da Selimo ed altri suoi capitani, giunge precipitoso nel sotterraneo col furore dipinto sul volto. Si avanza e resta immobile per alcun poco, tenendo gli occhi fissi su di Anna. Ella non ardisce guardarlo. Silenzio universal). MAOMETTO Già fra le tombe? Oh perfida! Vana è la tua speranza di vita assai! T avanza all infamia e al dolor. ANNA Da prevenirti, o barbaro mi resta un ferro ancor. MAOMETTO Ciò ch io ti porsi, or rendimi. ANNA Non te l rendea fra l armi lo sposo e il genitor? MAOMETTO Che! lo sposo? ad insultarmi! Lo sposo tuo? Dì, chi è questi? ANNA È Calbo. MAOMETTO Calbo dicesti! consorte! e non german! ANNA Sul cenere materno io porsi a lui la mano, il cenere materno coglie mio sangue ancor. (Si ferisce.) MAOMETTO, LE DONNE, SOLDATI MUSULMANI T arresta! t arresta! Che istante orribile! Oh giorno di dolor! Già muore, oh Dio, la misera! Oh giorno di dolor! (Anna cadde morta appiè del sepolcro.) ATTO SECONDO (Ricchissimo padiglione di Maometto nel quale si veggono riuniti tutti gli oggetti del lusso orientale) Scena Prima (Anna è seduta su di un divano, nel massimo dolore e coprendosi con le mani il volto. Una schiera di donzelle musulmane magnificamente abbigliate la circondano, divise in vari gruppi. Alcune sono inginocchiate dinanzi a lei, offrendole ricchi doni di ogni sorta, altre più indietro sostengono de vasi di profumi, altre finalmente canteranno il seguente coro) LE DONZELLE MUSULMANE È follia sul fior degli anni chiuder l alma a molli affetti, e penar fra tanti affanni d una rigida virtù. Finché april arride in viso sol d amor sien caldi i petti, chè l amar fra gioia e riso è una dolce servitù. Quando poi sia bianco il crine cangerem, cangiando aspetto posto il cielo ha quel confine fra l diletto e la virtù. ANNA (Sorgendo sdegnata.) Tacete. Ahimè! quai detti iniqui ascolto! (Aggirandosi sbigottita.) Anna infelice! ahi dove, ove gli empi m han tratta? ove! Involarmi a forza io vuo da questo infame albergo. Libero il varco, olà… Scena Seconda MAOMETTO (Entrando) T arresta, e ascolta… (Ad un cenno di Maometto si ritirano tutte le donzelle.) Donna, fra l armi il mio parlar sia breve. Uberto amasti ed or cangiato il vedi in Maometto, nel crudel nemico di Venezia e de tuoi. Fiero contrasto quindi in te sorge fra discordi affetti. Nè in ciò ti biasmo, anzi laudarti io voglio. Or di cangiar consiglio il tempo è giunto. Io t amo ancor t offro la destra, e il soglio. Farti regina, e insiem felice io voglio. Sì, d Italia regina tu meco sederai, che un tanto acquisto già nella mente, e non indarno, io volgo. Germano e genitor teco felici vivran pur essi e al fianco mio possenti. Or tu del tuo, del mio destin decidi. Pensa però che sei già mia conquista, e ch io non trovo ancor chi a me resista. ANNA Oggi il ritrovi alfin quella son io. Amava Uberto, un mentitor detesto. Ricuso il soglio, la tua destra abborro. Teco felice! Io? Regina teco? Della patria a danno? Ad onta eterna del padre e mia? Ma a consacrar tal nodo quel Nume invocherai, se siam nemici anco appiè degli altari? (Alquanto commossa.) A separarci l universo insorge. (Prorompe in pianto.) MAOMETTO E Maometto adunque dell universo a trionfar già sorge. Anna, tu piangi? Il pianto pur non è d odio un segno, non di superbo sdegno, ma di pena, o d amor. ANNA (Con l accento della disperazione.) Sì, non t inganni! Ah, tanto la pena mia s addoppia, che in petto or or mi scoppia pel fiero strazio il cor. (Poi, vaneggiando.) Lieta, innocente, un giorno del padre accanto io vissi, ma poi mi venne intorno forse da cupi abissi, in lusinghiero aspetto, un più tenero affetto. L accolsi, incauta, al seno Ahi, contra il voler paterno. Era feral veleno, che a me porgea l inferno. Solo or morir mi resta… la mia speranza è questa, altro sperar non so. MAOMETTO (Fra sè, osservandola.) A vaneggiar la misera dal suo dolore è spinta. E da suoi mesti gemiti la mia fierezza è vinta. Quel pianto ignoro io solo se è duolo o infedeltà. Non so. (Ad Anna) Anna, rispondi almeno se Uberto avessi accanto, lo stringeresti al seno? ANNA Per me risponde il pianto. MAOMETTO Basta. ANNA Che dissi! MAOMETTO Assai. Tu m ami e mia sarai. ANNA Signor, t inganni. (fra sè) Io gelo. MAOMETTO Vieni. (Vuole stringerla fra le braccia.) ANNA Ti scosta… (fra sè) Oh cielo! Non tanta crudeltà. (a Maometto) Gli estremi sensi ascolta d un lacerato cor. Amo, ma pria sepolta che cedere all amor. Trionfan questa volta il cielo e il genitor. La voce estrema è questa d un lacerato cor. MAOMETTO Gli accenti estremi ascolta d un disperato amor tu non sarai più tolta del mondo al vincitor; o pur cadrai tu, o stolta, vittima al mio furor. La voce estrema è questa d un disperato amor. (Al finir del duetto la musica indicherà un lontano e crescente tumulto.) MAOMETTO Ma qual tumulto ascolto? Olà! Che avvenne? (Entrano alcune guardie con Selimo.) SELIMO Signor, non liete nuove io reco. MAOMETTO Oh rabbia! Parla; che fu? SELIMO Dalla rocca respinto Acmet si vide, e in fuga vil rivolta la sua falange. Un veneto drappello s inoltra audace, e all apparir suo primo, al primo grido, da ben cento ignoti asili balzan fuori, rotando il ferro con disperato ardir, gli ascosi avanzi de già vinti nemici. E lor compagni raggiungono veloci, ed alla rocca si traggon salvi; lungo stuol de nostri lasciando sul sentier morti, o mal vivi. Al triste evento con feroci strida corre all armi l esercito, e si sparge per le vie furibondo; ed ogni ostello esplorano col ferro… ANNA (fra sè) Ahi padre! SELIMO Indarno si frappongono i duci ampia è la strage, il disordine estremo; ognun dimanda d Erisso il sangue, quasi autor primiero dell improvviso assalto, e ingiurie acerbe scaglian pur contra te per la tua troppa ed incauta pietà… ANNA (Prostrandosi a Maometto.) Signor! MAOMETTO T accheta. (Snuda furiosamente il ferro.) Schiudansi quelle tende. (Il fondo del padiglione si apre, e si scopre la piazza della città, già veduta nel primo atto, ingombra di soldati che si aggirano in disordine con le spade ignude.) Fermate, indegni. (Avanzandosi fra soldati, i quali alla sua voce rimangono immobili e sbigottiti.) Se desio di sangue anco in voi ferve, negl inermi petti ad appagarlo qual viltà vi tragge? Dalla rocca fuggiste e qui pugnate? Il mondo conquistar così sperate? Alla rocca si torna, ed io primiero indicarne saprò l arduo sentiero. All armi! I SOLDATI MUSULMANI (Di fuori.) All armi! I SOLDATI MUSULMANI (Di dentro.) All armi! (Si ascolta da diversi luoghi un crescente battere di tamburi che chiama i soldati, i quali si schierano in fretta.) MAOMETTO E tu donna, fa cor. Finché m avanza di possederti ancor l alta speranza, il padre tuo securo ognor vivrà, lo giuro. ANNA Tu parti, ahi lassa! intanto. E mal represso ancor mi sembra il soldatesco sdegno. Lasciami almen di securtade un pegno. MAOMETTO Bastò finora a Maometto un cenno… Pur farti paga io voglio. L imperial suggello, ecco, t affido. Del mio poter con questo ad altri io soglio commetter parte; e non indarno mai. Arbitra or tu del genitor sarai e del fratel pur anco; e obbedienti guerrieri e duci ad ogni cenno avrai. D amor l ultima prova, Anna, il vedi, io ti porgo. Trema però se al rieder mio non cangi il disperato tuo consiglio… trema… Non io più allor, ma parlerebbe il brando. (Entrano nel padiglione i duci musulmani, ed annunciano a Maometto che l esercito è in ordine.) I DUCI MUSULMANI A che più tardi ancor? Frementi, impazienti le schiere or solo attendono il cenno tuo, signor. MAOMETTO All invito generoso riconosco i miei guerrieri che si sdegnan del riposo e lo chiamano viltà. Dunque il piè volgiamo al campo della gloria su sentieri. Delle nostre spade il lampo la vittoria desterà. Dell onta l impronta fugace nel veneto sangue impavido, audace, appien laverò! O esangue sul brando, sfidando la morte, da forte cadrò. (Incomincia il suono delle musiche militari e l esercito s incammina.) MAOMETTO (Al guerriero che tiene lo stendardo.) L invitto vessillo mi porgi, guerrier. Slanciarmi fra l armi io primo saprò. (L esercito prosiegue a sfilare fra canti guerrieri e lo strepito delle musiche militari.) I SOLDATI MUSULMANI Dell araba tromba già intorno rimbomba lo squillo foriero di stragi e d orror. ANNA (fra sè) Qual voce celeste al cor mi ragiona? Qual foco m investe e a compier mi sprona bell opra d onor? (Parte sollecitamente.) Scena Terza (Ampio sotterraneo del tempio, tutto sparso di sepolcri, fra quali sarà notabile a dritta dello spettatore quello della moglie di Paolo Erisso. Erisso e Calbo. All alzarsi della tela Erisso e Calbo si scorgeranno sugli ultimi gradini della scala, e s inoltrano lentamente) ERISSO Seguimi, o Calbo. Fra muti sepolcri de barbari al furor per poco almeno involarci potrem. Non ch io paventi quella morte, che sfido. Ma finchè speme di vendetta avanza amar lice la vita ed io la serbo, la serbo ancor questa speranza estrema. Gli avidi sguardi a quella rocca io sempre volgo e sospiro. Oh se potessi in quella volar sull ali de pietosi venti, e rivestir l usbergo, e a questa mano, render quel brando, che le tolse il fato! Tu taci? CALBO Io taccio, e fremo. ERISSO (Si volge, e vede la tomba dell estinta consorte.) Ahimè! qual tomba io veggo! Della mia sposa il cenere s asconde in quella, o Calbo. Ahi, duol! (S inginocchia innanzi la tomba.) Tenera sposa! In ciel riposi or tu. Così seguìto pur io t avessi! D una iniqua figlia or non vedrei gli scelerati ardori. CALBO Lasso! che dici! E di qual colpa è rea la misera tua figlia? Uberto amar credea; nè fu mai colpa l esser credulo troppo. ERISSO Ed or non siede di Maometto al fianco? CALBO Tratta a forza vi fu. La vidi io stesso divincolarsi da feroci sgherri per ben tre fiate; e vinta alfin, le palme ergere al cielo quasi fuor di senno; e mille volte profferìa tuo nome; e pur da lunge ripeteami… addio! ERISSO Vedesti? Udisti? Ma chi sa se poi non cangiò di consiglio all aspetto d un trono e del periglio? (Rimane in sommo abbattimento assiso sulla tomba della sposa sua.) CALBO Non temer d un basso affetto non fu mai quel cor capace. Nè saprebbe la sua pace mai comprar con la viltà. Del periglio al fiero aspetto ella intrepida già parmi impugnar lo scudo e l armi d una bella fedeltà. E d un trono alla speranza dir, con placida sembianza basso affetto nel mio petto nido aver non mai potrà. ERISSO Oh, come al cor soavi mi giungono i tuoi detti! Voglia propizio il ciel che sien veraci. Oh figlia! ahi dolce figlia! E a me per sempre i barbari t han tolta? CALBO Ah! ti conforta. ERISSO Confortarmi potrò quando sia morta. Scena Quarta (Anna discende precipitosamente nel sotterraneo, seguita da un servo che reca due turbanti e due mantelli turchi.) ANNA Padre… ERISSO Qual voce! CALBO Chi vegg io! ANNA (Correndo al padre.) M abbraccia. ERISSO Scostati. ANNA Ahimè! ERISSO Tu sei? sogno o son desto! ANNA Mi discacci! E perché? ERISSO Pria che risponda, dimmi, torni mia figlia o mia nemica? ANNA Questa impavida fronte a te lo dica. ERISSO Di quella tomba appiè dunque lo giura. ANNA (Prostrandosi alla tomba.) Madre, dal cielo in questo cor tu leggi. ERISSO (Intenerito corre ad abbracciar la figlia.) Crederti voglio. ANNA E il ver tu credi, o padre, e a darne prova alta solenne io vengo. Questo mirate imperial suggello che or or mi porse Maometto, ond io schermo a voi ne facessi, ov uopo il chiegga. E ben già vidi quanto in essa è posta quasi arcana possanza. Egli la rocca si volse intanto ad assalir, traendo oste immensa a tal pugna. Or se v accende desio d onor… tenete. (Offre l anello al padre.) Al fuggir vostro non fia chi opporsi ardisca. ERISSO Intendo oh figlia! Oh immensa gioia! Porgi. (Prende l anello.) ANNA Un dio m ispira, e maggior di me stessa oggi m ha fatta. CALBO E tu a perir qui resti? Oh duol! ANNA Costanza, o Calbo. Il suo dover compia ciascuno. CALBO Seguirci è forza. ANNA Ahimè! nol posso. CALBO E come? ANNA Avvi lassù nel tempio alcun che veglia su miei passi severo. Ignoto è ad esso che ambi qui siate; e in quelle spoglie ascosi ingannarlo fia lieve. Ma noto il mio sembiante. Oh ciel! già troppo a musulmani è fatto. La patria io servo con salvar due prodi; se me salvar procuro, io la tradisco. Morir m è forza ed io morrò… (A Calbo) Ma tua. CALBO Che parli? ANNA Odimi, o padre A lui consorte or dianzi me destinavi, e, lassa! la prima volta il voler tuo m increbbe. Or chieggo, e prego, e imploro che il tuo desìo pria di partir tu compia. Ara non v ha, nè sacerdote in questo muto albergo di morte; ma sacro è un genitor d innanzi al cielo. Ara pe figli è la materna tomba e i decreti d un padre Iddio conferma. Vieni, non più dimora. degna almen di te morir vogl io. (Spingendolo dolcemente verso la tomba.) ERISSO (fra sè) Parlar non posso, che m affoga il pianto. ANNA Calbo, ti stringi al genitor d accanto. (Erisso immerso nel pianto, nè potendo profferir parola per la commozione, stringe insieme le destre di Anna e di Calbo, poi le accosta al suo cuore, appoggiandosi sulla tomba ed ergendo gli sguardi al cielo. Durante questa breve azione, la musica darà principio al ritornello del seguente.) ANNA, CALBO, ERISSO In questi estremi istanti è tanto acerbo e nuovo l affanno, il duol ch io provo, ch esprimerlo non so. ANNA (Facendo cenno che partano al padre ed allo sposo.) Coraggio. ERISSO Io tremo. CALBO (fra sè) Io gelo. (Al nuovo invito di Anna s incamminano. Anna è sulla scena. Calbo ed Erisso ascendono la scala.) ERISSO Ahi figlia! CALBO Oh sposa! ANNA A rivederci… in cielo. Scena Quinta (Anna, costernata e taciturna, va a sedere sulla tomba materna. Breve silenzio.) ANNA Alfin compita è una metà dell opra. L altra a compir mi resta. un sacrificio è questo, e la vittima io son. L ultimo sfogo t abbi or nel pianto, o debole natura. Ora verrà, che sia viltade il pianto. Ecco del mondo che mi resta! Un muto, un gelido sepolcro… e oh me felice se chiusa in questo con la madre io fossi! O patria mia, forse avverrà che un giorno quanto io feci per te saprai tu alfine, e il mio cenere allor, dovunque ei giaccia, spontaneo esulterà di esserti sacro. (Sorge e spinge alcuni passi per la scena) Or da me lungi ogni terreno affetto! O morte, il giunger tuo tranquillo aspetto. (Ascoltasi ad un tratto su nel tempio il seguente.) LE DONNE Nume, cui l sole è trono, nume, cui brando è il tuono, a noi rivolgi il ciglio nell ultimo periglio. ANNA Pregan nel tempio le mie dolci amiche. LE DONNE Il fulmine, deh! accendi; i figli tuoi difendi. Rivolgi ad essi il ciglio nell ultimo periglio. ANNA Ferve dunque la pugna. Ah! vinca il padre, e lieta allor raggiungerotti, o madre. Volar nel tempio io pur… No, qui s attenda l ultima ora tremenda. Mi sento assai più forte qui fra le tombe ad incontrar la morte. LE DONNE Nume, cui l sole è trono nume, cui brando è il tuono, il fulmine, deh! accendi i figli tuoi difendi. Rivolgi ad essi il ciglio nell ultimo periglio, e un soffio struggitor disperda il vincitor. ANNA Taccion le preci omai. Chi sa che avvenne? Chi sa se vinse il genitor? Che parlo, stolta! Chi sa s ei prima in salvo col mio sposo non giunse? Ahi penosa incertezza, i miei tormenti tu sol mancavi a render più possenti! LE DONNE (Dal tempio) Anna, ove sei? ANNA Quai grida? LE DONNE Anna, rispondi. ANNA Chieggon di me! Che sia? (Alcune del coro appariscono sull alto della scala.) LE DONNE Dove t ascondi? (Il coro delle donne discende nel sotterraneo.) Sventurata! fuggir sol ti resta il furor di vicina tempesta. Già sul punto di vincer la giostra sulla rocca Maometto si slancia. Ecco Erisso improvviso si mostra; ecco splende di Calbo la lancia. Odi un grido di gioia fra vinti; cadon mille de barbari estinti, e al fuggir del superbo signor, tutto è strage, sconfitta ed orror. Sventurata! fuggir sol ti resta il furor di vicina tempesta. Ognun chiede, fremendo, tua morte. A supplizio crudel ti destina, chè per te sol cangiata è la sorte, per te avvenne cotanta rovina. Or deh! cedi al pietoso consiglio Deh! ci siegui, t invola al periglio. In noi fida; la nostra pietà coronata dal cielo sarà. ANNA Vinto i Veneti han dunque? Trionfa il genitor? lo sposo? Oh gioia! E ch io fugga chiedete? Io che la prima gloria ho di tanta vittoria? Fuggir? Ma dove? E per salvar me sola espor voi tutte all ultimo periglio? A codardi serbate un tal consiglio. Quella morte che s avanza io sospiro e non pavento, chè l uscire di speranza è il più barbaro tormento, e dell unica mia speme non mi resta che il rossor, onde in queste angosce estreme la mia vita è nel dolor. Il dover compiuto omai ho di figlia e cittadina; la mia fronte, o ciel, piegai alla voce tua divina; ma l iniquo e dolce affetto non è spento nel mio cor. Nella morte il fine aspetto degli affanni e dell amor. LE DONNE Sarai dunque, ahimè! reciso, vago fior di gioventù? Vago fior che il Paradiso adornò di sue virtù. Quai strida orribili! Le ascolti o misera? Già qui s appressano furenti i barbari. I SOLDATI MUSULMANI (Di fuori.) Invan la perfida invano ascondessi. Sia pur nell Erebo la nostra rabbia, il suo supplizio schivar non può. ANNA Ed io non pavida gli affronterò. I SOLDATI MUSULMANI (Che discendono nel sotterraneo.) Ecco la perfida. Su via, trascinasi fra mille strazi a spirar l anima. (Si slanciano furibondi colle spade ignude per trucidarla.) ANNA Ferite. (Presentando ad essi il petto.) LE DONNE Ahimè! I SOLDATI MUSULMANI (Si arrestano quasi sbigottiti dal di lei contegno.) Qual forza incognita ci arresta il piè? E pur quest empia diva non è. ANNA Sì, ferite il chieggo, il merto; quelle spade in me volgete, chè di gloria i più bel serto già m appresta amico il ciel. Madre, a te che sull Empiro siedi in placida quiete, sacro è l ultimo sospiro di quest anima fedel. LE DONNE (fra sè) A que detti sì pietosi chi frenar potrebbe il pianto? Sia d Italia eterno il vanto per si bella fedeltà. I SOLDATI MUSULMANI (fra sè) A que detti generosi lo stupor c ingombra il petto. Su que labbri, in quell aspetto qual dolcezza e maestà! Scena Sesta (Maometto, seguìto da Selimo ed altri suoi capitani, giunge precipitoso nel sotterraneo col furore dipinto sul volto. Si avanza e resta immobile per alcun poco, tenendo gli occhi fissi su di Anna. Ella non ardisce guardarlo. Silenzio universal). MAOMETTO Già fra le tombe? Oh perfida! Vana è la tua speranza di vita assai! T avanza all infamia e al dolor. ANNA Da prevenirti, o barbaro mi resta un ferro ancor. MAOMETTO Ciò ch io ti porsi, or rendimi. ANNA Non te l rendea fra l armi lo sposo e il genitor? MAOMETTO Che! lo sposo? ad insultarmi! Lo sposo tuo? Dì, chi è questi? ANNA È Calbo. MAOMETTO Calbo dicesti! consorte! e non german! ANNA Sul cenere materno io porsi a lui la mano, il cenere materno coglie mio sangue ancor. (Si ferisce.) MAOMETTO, LE DONNE, SOLDATI MUSULMANI T arresta! t arresta! Che istante orribile! Oh giorno di dolor! Già muore, oh Dio, la misera! Oh giorno di dolor! (Anna cadde morta appiè del sepolcro.) Rossini,Gioachino/Maometto secondo
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操作方法 このゲームは2Dなのでクリックによる移動ではなく矢印キーでの移動になります。 なので3Dオンラインゲームとはまた違った遊び方が出来ます。 基本操作(初期配置対応) 左右矢印キー キャラクターを左右に移動させます。 ↑キー ロープの登り・ポータルの出入りに使用します。 ↓キー しゃがみ・ロープの下りに使用します。またお辞儀にも使用されています。 Z アイテムを拾うのに使用します。 C ジャンプに使用します。 x 基本攻撃動作に入ります(武器によって攻撃する種類が変わる) Enter 会話メニューに移る NCPをダブルクリック NCPと会話する。 順基本操作(初期配置対応) E 装備ウィンドウを開く・閉じる I アイテムウィンドウを開く・閉じる S ステータスウィンドウを開く・閉じる K スキルブックを開く・閉じる R フレンドリストを開く・閉じる G ギルドを開く・閉じる M メッセンジャーを開く・閉じる H 内緒を送る A ベンチに座る Q クエストウィンドウを開く・閉じる W ワールドマップを開く・閉じる M マップを拡大させる・縮小する 自分以外のユーザーに右クリック ユーザーの情報を見る・グループに誘う・ギルドに誘う・交換を申し込む 自分をダブルクリックする 自分の情報を見る P キー設定を確認・変更する 持っているアイテムをダブルクリック アイテムを使用・装着 中級操作 持っているアイテムをクリック アイテムを掴む アイテムを掴んでアイテム画面の外でクリック アイテムを捨てる キー設定画面のところにスキルを配置してそのキーを押す スキル発動 交換窓のアイテム欄にアイテムを置く 交換に出される Scroll lock スクリーンショットを撮る(ノートの場合はFnと同時押し) 上級動作(初期設定対応) Alt＋Tab(Esc)メイプルストーリーを最小化 Q＋Aに指を配置しｐ；まで一気にスライド あｑｗ背ｄｒｆｔｇｙふじこｌｐ；が出る Escでメニューを開いた後矢印キーを押す メニューコマンドを変更 Alt＋F4を押す メイプルストーリー強制終了 F5を押す IMEパッドを出現させ画面がおかしくなる。 不可解な言葉を発言する 悪口と扱われる。 Cを長押しする キャラがぴょンぴょン跳ねる。 敵を攻撃して止めを刺さず別の敵に攻撃してこれを繰り返す 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Changing Values in Medicine Univ Pubns of Amer? Eric J. Cassell? UnivPubnsofAmer? EricJ.Cassell? ジャンル別? Substores-UnknownASINs-8 Subjects-Health,Mind&Body? Subjects-Medicine-Physician&Patient-MedicalEthics? Subjects-Professional&Technical-Medical-Medicine-MedicalEthics? Subjects-Science-Medicine-Physician&Patient-MedicalEthics? Operation Zapata The Ultrasensitive Report and Testimony of the Board of Inquiry on the Bay of Pigs Univ Pubns of Amer? Luis Aguilar? UnivPubnsofAmer? LuisAguilar? ジャンル別? Substores-UnknownASINs-8 Subjects-History-Americas-UnitedStates-20thCentury-General? Subjects-Nonfiction-Politics-International-Relations? Changing Values in Medicine Univ Pubns of Amer? Eric J. Cassell? UnivPubnsofAmer? EricJ.Cassell? ジャンル別? Substores-UnknownASINs-8 Subjects-Health,Mind&Body? Subjects-Medicine-Physician&Patient-MedicalEthics? Subjects-Professional&Technical-Medical-Medicine-MedicalEthics? Subjects-Science-Medicine-Physician&Patient-MedicalEthics? Crime in Victorian Britain An Annotated Bibliography from Nineteenth-Century British Magazines (Bibliographies and Indexes in World History) Greenwood Pub Group? E. M. Palmegiano? GreenwoodPubGroup? E.M.Palmegiano? ジャンル別? Substores-UnknownASINs-8 Subjects-History-Europe-England-General? Subjects-History-Europe-England-19thCentury? Subjects-History-Europe-General? Subjects-History-HistoricalStudy-SocialHistory? Subjects-Nonfiction-SocialSciences-SpecialGroups-EthnicStudies? Subjects-Nonfiction-Crime&Criminals-Criminology? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-History? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-General? Richard's Himself Again A Stage History of Richard III (Contributions in Drama and Theatre Studies) Greenwood Pub Group? Scott Colley? GreenwoodPubGroup? ScottColley? ジャンル別? Substores-UnknownASINs-8 Subjects-Arts&Photography-PerformingArts-Theater-General? Subjects-Entertainment-PerformingArts-Theater-General? Subjects-Literature&Fiction-Drama-British&Irish-Shakespeare? Subjects-Literature&Fiction-Drama-History? Subjects-Literature&Fiction-History&Criticism-Criticism&Theory-General? Subjects-Literature&Fiction-WorldLiterature-British-Shakespeare? Lighting Design on Broadway Designers and Their Credits, 1915-1990 (Bibliographies and Indexes in the Performing Arts) Greenwood Pub Group? Bobbi Owen? GreenwoodPubGroup? BobbiOwen? ジャンル別? Substores-UnknownASINs-8 Subjects-Arts&Photography-Art-General? Subjects-Arts&Photography-PerformingArts-Theater-General? Subjects-Arts&Photography-PerformingArts-Theater-Stagecraft? Subjects-Biographies&Memoirs-General? Subjects-Entertainment-PerformingArts-Theater-General? Subjects-Entertainment-PerformingArts-Theater-Stagecraft? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Art&Photography? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-General? Human Life and Health Care Ethics Univ Pubns of Amer? James Bopp? UnivPubnsofAmer? JamesBopp? ジャンル別? Substores-UnknownASINs-8 Subjects-Medicine-Physician&Patient-MedicalEthics? Subjects-Professional&Technical-Medical-Medicine-MedicalEthics? Subjects-Science-Medicine-Physician&Patient-MedicalEthics? National Representation for the District of Columbia Univ Pubns of Amer? Judith Best? UnivPubnsofAmer? JudithBest? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Government-FederalGovernment? Public Policy and the Black Hospital From Slavery to Segregation to Integration (Contributions in Afro-American and African Studies) Greenwood Pub Group? Mitchell F. Rice? Woodrow, Jr. Jones? GreenwoodPubGroup? MitchellF.Rice? Woodrow,Jr.Jones? ジャンル別? Substores-UnknownASINs-8 Subjects-Health,Mind&Body-General? Subjects-History-Americas-UnitedStates-AfricanAmericans-AfricanAmericanStudies? Subjects-History-Americas-UnitedStates-General? Subjects-History-HistoricalStudy-SocialHistory? Subjects-Law-ConstitutionalLaw-HumanRights? Subjects-Medicine-Administration&Policy-HealthPolicy? Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Medicine-SpecialTopics-History? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-SocialSciences-SpecialGroups-African-AmericanStudies? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Nonfiction-Law-ConstitutionalLaw-HumanRights? Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-HealthPolicy? Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-HospitalAdministration? Subjects-Science-History&Philosophy-General? Subjects-Science-History&Philosophy-HistoryofMedicine? Subjects-Science-Medicine-Administration&Policy-HealthPolicy? Subjects-Science-Medicine-Administration&Policy-PublicHealth? Huck Finn Among the Critics A Centennial Selection Univ Pubns of Amer? M. Thomas Inge? UnivPubnsofAmer? M.ThomasInge? ジャンル別? Substores-UnknownASINs-8 War, Cooperation, and Conflict The European Possessions in the Caribbean, 1939-1945 (Contributions in Comparative Colonial Studies) Greenwood Pub Group? Fitzroy Andre Baptiste? GreenwoodPubGroup? FitzroyAndreBaptiste? ジャンル別? Substores-UnknownASINs-8 Subjects-History-Americas-UnitedStates-20thCentury-WorldWarII-General? Subjects-History-Europe-General? Subjects-History-Military-General? Subjects-Nonfiction-Politics-International-Relations? Orson Welles A Biobibliography (Bio-Bibliographies in the Performing Arts) Greenwood Pub Group? Bret Wood? GreenwoodPubGroup? BretWood? ジャンル別? Substores-UnknownASINs-8 Subjects-Arts&Photography-PerformingArts? Subjects-Biographies&Memoirs-Arts&Literature? Subjects-Biographies&Memoirs-General? Subjects-Entertainment-Movies-General? Subjects-Nonfiction-Education-Reference-Words&Language-Communication? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Music? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Art&Photography? Subjects-Reference-Words&Language-Communication? Subjects-Reference-General? Citizen Participation in Public Decision Making (Contributions in Political Science) Greenwood Pub Group? Jack Desario? Stuart Langton? GreenwoodPubGroup? JackDesario? StuartLangton? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Politics-Freedom&Security-CivilRights? Subjects-Nonfiction-SocialSciences-PoliticalScience-SystemsOfGovernment? Subjects-Nonfiction-SocialSciences-PoliticalScience-Rights? Subjects-Nonfiction-Government-State&LocalGovernment? Engine of Mischief (Contributions to Study of World History, No. 11) Greenwood Pub Group? Jim Tuck? GreenwoodPubGroup? JimTuck? ジャンル別? Substores-UnknownASINs-8 Subjects-Biographies&Memoirs-General? Subjects-History-Asia-Russia? Subjects-Nonfiction-SocialSciences-PoliticalScience-PoliticalDoctrines-General? Subjects-Nonfiction-SocialSciences-PoliticalScience-PoliticalDoctrines-Liberalism? Subjects-Nonfiction-SocialSciences-PoliticalScience-PoliticalDoctrines-Communism? Subjects-Nonfiction-SocialSciences-PoliticalScience-Elections? Handbook of Mental Health and Mental Disorder Among Black Americans Greenwood Pub Group? Dorothy S. Ruiz? James P. Comer? GreenwoodPubGroup? DorothyS.Ruiz? JamesP.Comer? ジャンル別? Substores-UnknownASINs-8 Subjects-Health,Mind&Body-Psychology&Counseling-General? Subjects-Health,Mind&Body-Psychology&Counseling-MentalIllness? Subjects-Health,Mind&Body-Psychology&Counseling-SocialPsychology&Interactions? Subjects-Health,Mind&Body-MentalHealth-General? Subjects-History-Americas-UnitedStates-AfricanAmericans-AfricanAmericanStudies? Subjects-Medicine-InternalMedicine? Subjects-Nonfiction-SocialSciences-Anthropology? Subjects-Nonfiction-SocialSciences-SpecialGroups-African-AmericanStudies? Subjects-Nonfiction-SocialSciences-SpecialGroups-EthnicStudies? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Science-Medicine-InternalMedicine? Army and Industrial Manpower (United States Army in World War II. War Department.) Greenwood Pub Group? Byron Fairchild? Jonathan Grossman? United States War Dept? GreenwoodPubGroup? ByronFairchild? JonathanGrossman? UnitedStatesWarDept? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Biographies&Primers-LaborPolicy? Subjects-Business&Investing-Economics-Labor&IndustrialRelations? Subjects-Business&Investing-General? Subjects-Nonfiction-Economics-Labor&IndustrialRelations? Subjects-Professional&Technical-Accounting&Finance-Economics-Labor&IndustrialRelations? Bureaucratic Politics and Regulatory Reform The Epa and Emissions Trading (Contributions in Political Science) Greenwood Pub Group? Brian J. Cook? GreenwoodPubGroup? BrianJ.Cook? ジャンル別? Substores-UnknownASINs-8 Subjects-Law-Business-Labor&Employment? Subjects-Law-Business-Property? Subjects-Law-One-L-CivilProcedure? Subjects-Law-Environmental&NaturalResourcesLaw? Subjects-Law-General? Subjects-Nonfiction-Law-Business-Labor&Employment? Subjects-Nonfiction-Law-Business-Property? Subjects-Nonfiction-Law-One-L-CivilProcedure? Subjects-Nonfiction-Law-Environmental&NaturalResourcesLaw? Subjects-Nonfiction-Law-General? Subjects-Professional&Technical-Law-General? Subjects-Professional&Technical-Law-One-L-CivilProcedure? Perspectives on Nuclear War and Peace Education (Contributions in Military Studies) Greenwood Pub Group? Robert Ehrlich? GreenwoodPubGroup? RobertEhrlich? ジャンル別? Substores-UnknownASINs-8 Subjects-History-Military-General? Subjects-History-Military-Weapons&Warfare-Control? Subjects-Nonfiction-Politics-International-Relations? Subjects-Nonfiction-CurrentEvents-ArmsControl? Subjects-Professional&Technical-Law-InternationalLaw? First Use of Nuclear Weapons Under the Constitution, Who Decides? (Contributions in Legal Studies) Greenwood Pub Group? Peter Raven-Hansen? GreenwoodPubGroup? PeterRaven-Hansen? ジャンル別? Substores-UnknownASINs-8 Subjects-History-Military-Weapons&Warfare-Nuclear? Subjects-Law-One-L-ConstitutionalLaw? Subjects-Law-One-L-CivilProcedure? Subjects-Law-General? Subjects-Nonfiction-Law-One-L-ConstitutionalLaw? Subjects-Nonfiction-Law-One-L-CivilProcedure? Subjects-Nonfiction-Law-General? Subjects-Professional&Technical-Law-General? Subjects-Professional&Technical-Law-One-L-CivilProcedure? The African Aesthetic Keeper of the Traditions (Contributions in Afro-American and African Studies) Greenwood Pub Group? Kariamu Welsh-Asante? Kariamu Wlesh-Asante? GreenwoodPubGroup? KariamuWelsh-Asante? KariamuWlesh-Asante? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Philosophy-Aesthetics? Subjects-Nonfiction-Philosophy-Metaphysics? Subjects-Nonfiction-Philosophy-Ontology? Subjects-Nonfiction-SocialSciences-Anthropology-Cultural? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Costume Design on Broadway Designers and Their Credits, 1915-1985 (Bibliographies and Indexes in the Performing Arts) Greenwood Pub Group? Bobbi Owen? GreenwoodPubGroup? BobbiOwen? ジャンル別? Substores-UnknownASINs-8 Subjects-Arts&Photography-PerformingArts-Theater-General? Subjects-Arts&Photography-PerformingArts-Theater-Stagecraft? Subjects-Biographies&Memoirs-General? Subjects-Entertainment-PerformingArts-Theater-General? Subjects-Entertainment-PerformingArts-Theater-Stagecraft? Viruses and Reproduction A Bibliography (Bibliographies and Indexes in Medical Studies) Greenwood Pub Group? Ernest L. Abel? GreenwoodPubGroup? ErnestL.Abel? ジャンル別? Substores-UnknownASINs-8 Subjects-Health,Mind&Body-General? Subjects-Professional&Technical-Medical-BasicSciences-Virology? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-General? Time and Eternity (Documentary Reference Collections) Greenwood Pub Group? Seiichi Hatano? GreenwoodPubGroup? SeiichiHatano? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Philosophy-General? Subjects-Nonfiction-Philosophy-Metaphysics? Subjects-Science-Experiments,Instruments&Measurement-Time? Federal Information Sources in Health and Medicine A Selected Annotated Bibliography (Bibliographies and Indexes in Medical Studies) Greenwood Pub Group? Mary Glen Chitty? Natalie Schatz? GreenwoodPubGroup? MaryGlenChitty? NatalieSchatz? ジャンル別? Substores-UnknownASINs-8 Subjects-Health,Mind&Body-General? Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-PublicHealth-General? Subjects-Professional&Technical-Medical-General? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Medicine? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-General? Solidarity or Survival? American Labor and European Immigrants, 1830-1924 (Contributions in Labor Studies) Greenwood Pub Group? A. T. Lane? GreenwoodPubGroup? A.T.Lane? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Economics-Labor&IndustrialRelations? Subjects-Law-AdministrativeLaw-Emigration&Immigration? Subjects-Nonfiction-Politics-Labor&IndustrialRelations? Subjects-Nonfiction-Politics-Freedom&Security-CivilRights? Subjects-Nonfiction-Economics-Labor&IndustrialRelations? Subjects-Nonfiction-Law-AdministrativeLaw-Emigration&Immigration? Subjects-Professional&Technical-Accounting&Finance-Economics-Labor&IndustrialRelations? Index to Current Urban Documents (Index to Current Urban Documents (Cumulative Volume Only)) Greenwood Pub Group? GreenwoodPubGroup? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-UrbanPlanning&Development-General? Holding Fast/Pressing on Religion in America in the 1980s (Contributions to the Study of Religion) Greenwood Pub Group? Erling Jorstad? GreenwoodPubGroup? ErlingJorstad? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-SocialSciences-Sociology-Religion? Subjects-Religion&Spirituality-General? Subjects-Religion&Spirituality-ReligiousStudies-ComparativeReligion? Subjects-Religion&Spirituality-ReligiousStudies-Sociology? J. William Fulbright A Bibliography (Bibliographies and Indexes in Law and Political Science) Greenwood Pub Group? Betty Austin? GreenwoodPubGroup? BettyAustin? ジャンル別? Substores-UnknownASINs-8 Subjects-Biographies&Memoirs-General? Subjects-History-Americas-UnitedStates-20thCentury-General? Subjects-Nonfiction-Politics-General? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-History? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Politics? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-General? Fallen in Battle American General Officer Combat Fatalities from 1775 Greenwood Pub Group? Russell K. Brown? GreenwoodPubGroup? RussellK.Brown? ジャンル別? Substores-UnknownASINs-8 Subjects-History-Americas-UnitedStates-General? Subjects-History-Military-General? Subjects-History-Military-Strategy? 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School Based Assessment Manual for CXC Integrated Science Macmillan Caribbean? L. Maynard? Laughton Nisbett? MacmillanCaribbean? L.Maynard? LaughtonNisbett? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Science,Nature&HowItWorks-General? Contemporary Literary Theory Palgrave Macmillan? G.Douglas Atkins? Laura Morrow? PalgraveMacmillan? G.DouglasAtkins? LauraMorrow? ジャンル別? Substores-UnknownASINs-8 Subjects-Literature&Fiction-History&Criticism-Criticism&Theory-General? Politics in England - Change and Persistence Palgrave Macmillan? Richard Rose? PalgraveMacmillan? RichardRose? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment? Modernizing Nato's Nuclear Weapons No Decisions Have Been Made Intl Specialized Book Service Inc? Oliver Ramsbotham? IntlSpecializedBookServiceInc? OliverRamsbotham? ジャンル別? Substores-UnknownASINs-8 Subjects-History-Military-Weapons&Warfare? Subjects-History-MilitaryScience? 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Leonard Davis? PalgraveMacmillan? LeonardDavis? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-SocialSciences-Anthropology-Cultural? Subjects-Nonfiction-SocialSciences-Sociology-General? The Advent of Sun Myung Moon Palgrave Macmillan? George Chryssides? PalgraveMacmillan? GeorgeChryssides? ジャンル別? Substores-UnknownASINs-8 Anthony Powell (Modern Novelists) Palgrave Macmillan? Neil McEwan? Norman Page? PalgraveMacmillan? NeilMcEwan? NormanPage? ジャンル別? Substores-UnknownASINs-8 Subjects-Literature&Fiction-WorldLiterature-British-20thCentury? Soviet History in the Gorbachev Revolution (Studies in Russian East European History Society) Palgrave Macmillan? R.W. Davies? PalgraveMacmillan? R.W.Davies? ジャンル別? Substores-UnknownASINs-8 Subjects-History-Asia-Russia? Subjects-History-Europe-General? The May 1968 Events in France Palgrave Macmillan? Keith Reader? Khursheed Wadia? PalgraveMacmillan? KeithReader? KhursheedWadia? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Politics-Activism? Subjects-Nonfiction-SocialSciences-Sociology-Culture? The Language of Shakespeare (Language of Literature) Macmillan Pub Co? N. F. Blake? MacmillanPubCo? N.F.Blake? ジャンル別? Substores-UnknownASINs-8 Subjects-Arts&Photography-PerformingArts-Theater-General? Subjects-Entertainment-PerformingArts-Theater-General? Subjects-Literature&Fiction-Drama-History? Subjects-Literature&Fiction-Drama-General? Subjects-Literature&Fiction-WorldLiterature-British-Shakespeare? Talking AIDS, a Guide for Community Work (Macmillan/IPPF) Scholium Intl? Gill Gordon? ScholiumIntl? GillGordon? ジャンル別? ジャンル別-mirror-test-test-subtier-AIDS&HIV? Substores-UnknownASINs-8 Subjects-Medicine-Diseases-AIDS&HIV? Subjects-Science-Medicine-Diseases-AIDS&HIV? Politics and Society in Britain An Introduction Sheridan House Inc? Michael Moran? SheridanHouseInc? MichaelMoran? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Politics-PoliticalParties? Subjects-Nonfiction-SocialSciences-PoliticalScience-SystemsOfGovernment? The Case for Workers' Cooperatives Palgrave Macmillan? Robert Oakeshott? PalgraveMacmillan? RobertOakeshott? ジャンル別? Substores-UnknownASINs-8 The Case for Workers' Cooperatives Palgrave Macmillan? Robert Oakeshott? PalgraveMacmillan? RobertOakeshott? ジャンル別? Substores-UnknownASINs-8 Macmillan Papermac? Alistair Horne? Papermac? AlistairHorne? ジャンル別? Substores-UnknownASINs-8 Subjects-Biographies&Memoirs-General? Subjects-Nonfiction-Politics-General? Essays and Introductions Papermac? W.B. Yeats? Papermac? W.B.Yeats? ジャンル別? Substores-UnknownASINs-8 Subjects-Literature&Fiction-Poetry-British-19thCentury? Subjects-Literature&Fiction-Poetry-British-20thCentury? Mastering C. Programming (Palgrave Master) Palgrave Macmillan? W.Arthur Chapman? PalgraveMacmillan? W.ArthurChapman? ジャンル別? Substores-UnknownASINs-8 Subjects-Computers&Internet-Programming-Languages&Tools-C&C++-WindowsProgramming? Power in Caring Professions Palgrave Macmillan? Richard Hugman? PalgraveMacmillan? RichardHugman? ジャンル別? Substores-UnknownASINs-8 Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Medicine-BasicScience? Subjects-Medicine-General? Subjects-Medicine-Nursing-Home&CommunityCare? Subjects-Nonfiction-SocialSciences-SocialWork? Subjects-Science-Medicine-Administration&Policy-PublicHealth? Subjects-Science-Medicine-BasicScience? Subjects-Science-Medicine-General? Subjects-Science-Medicine-Nursing-Home&CommunityCare? Problems of Political Philosophy Palgrave Macmillan? D.D. Raphael? PalgraveMacmillan? D.D.Raphael? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-SocialSciences-PoliticalScience-General? Editing Yeats' Poems Palgrave Macmillan? Richard J. Finneran? PalgraveMacmillan? RichardJ.Finneran? ジャンル別? Substores-UnknownASINs-8 Subjects-Literature&Fiction-Poetry-British-20thCentury? Subjects-Reference-Writing? The Commonwealth Caribbean in the World Economy (Warwick University Caribbean Studies) Macmillan Caribbean? Ramesh F. Ramsaran? MacmillanCaribbean? RameshF.Ramsaran? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Economics-Development&Growth? Subjects-Nonfiction-SocialSciences-General? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Trade, Industrial Restructuring and Development in Hong Kong (Studies in the Economics of East South-East Asia) Palgrave Macmillan? Yin-Ping Ho? PalgraveMacmillan? Yin-PingHo? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-Exports&Imports? Subjects-Business&Investing-Management&Leadership-Industrial? Subjects-History-MiddleEast-General? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Nonfiction-Economics-Exports&Imports? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Professional&Technical-Accounting&Finance-Economics-Exports&Imports? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial? United States/Turkish/N.A.T.O. Middle East Connection Palgrave Macmillan? George C. McGhee? PalgraveMacmillan? GeorgeC.McGhee? ジャンル別? Substores-UnknownASINs-8 Subjects-History-Americas-UnitedStates-20thCentury-1945-Present? Subjects-History-Asia-Turkey? Subjects-History-Europe-General? Subjects-Nonfiction-Politics-International-Relations? Political Fiction and the Historical Imagination Intl Specialized Book Service Inc? Lee Horsley? IntlSpecializedBookServiceInc? LeeHorsley? ジャンル別? Substores-UnknownASINs-8 Subjects-Literature&Fiction-History&Criticism-Criticism&Theory-General? Subjects-Literature&Fiction-WorldLiterature-British? The New Protectionist Wave Palgrave Macmillan? Enzo R. Grilli? Enrico Sassoon? PalgraveMacmillan? EnzoR.Grilli? 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The Child in Question Palgrave Macmillan? Diana Gittins? PalgraveMacmillan? DianaGittins? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Nonfiction-SocialSciences-Sociology-Children? Subjects-Teens-SocialIssues-General? John Strachey Palgrave Macmillan? Noel W. Thompson? PalgraveMacmillan? NoelW.Thompson? ジャンル別? Substores-UnknownASINs-8 Subjects-Biographies&Memoirs-Ethnic&National-Irish? Subjects-Biographies&Memoirs-Historical? Subjects-History-Europe-England-General? Subjects-History-Europe-England-19thCentury? Subjects-History-Europe-Ireland-General? Subjects-Nonfiction-SocialSciences-PoliticalScience-PoliticalDoctrines-General? Subjects-Nonfiction-SocialSciences-PoliticalScience-PoliticalDoctrines-Socialism? Chemical and Physical Data Handbook Nature Publishing Group? A.M. James? M.P. Lord? NaturePublishingGroup? A.M.James? M.P.Lord? ジャンル別? Substores-UnknownASINs-8 Subjects-Reference? 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